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CODICE RIPETITIVO #1 >>

PERFORMING MEDIA.POINT | Carlo Infante
www.teatron.org

2008

The light comes from the sun, it makes us live. For this reason it always been connected with the creative power. In the istallation “Stanze di luce” the works place become an environment full of light inside which the spectator can stir and to exist. That art project is born from the light and from the experimentations of the new technologies and the physical partiture. With light projections will be possible cut slits or shaped holes in the walls, leading from one room to another, until the spectator could see through the entire apartment (for example) of a rapresentative building of the town will host the project. Inside those space different actions will be create in a perfect combination with lights and view.
It will be like watching a movie on a shaped screen. You looked through dark faded rooms, colors and wallpaper, to the light outdoors. Possible visions.

This project will be a tribute to Gordon Matta-Clark (June 22, 1943 – August 27, 1978- was an American artist best known for his site-specific artworks he made in the 1970s. He is famous for his "building cuts," a series of works in abandoned buildings in which he variously removed sections of floors, ceilings, and walls).




2008

Concept:
Words will be projected on one side of concrete boat
Those words will be sensibile to the passage of public creating waves. Waves words.
The research focus of this project are based on two-fold. We were seeking authentically interactive processes in both the design of the installation and the participants’ experiences of it. Notions of play heavily influence both the way in which we work, and the product will emerge. Interactive arts require skills ‘perhaps less like the traditional art skills, and more like the social interaction skills of “throwing a good party”’ . These types of skills became apparent as we sought to involve artists, technologists and participants in playful activities of mutual exchange, arising from the intersection of aesthetic and social engagement. Games became part of the process almost by accident, as we play in the studio. We plane moments when aesthetic dimensions of things rise to the surface’, and the moment of game arose from the aesthetic situation where artists were playing with interactive potential.



2007

2006
INAUGURAZIONE STAGIONE LIRICA TEATRO RENDANO_COSENZA >>

2006
EXIBITION >>
Luca Ruzza Arckitekt 1996-2006
Projekter mellem arkitektur og teater
ICC-Copenhagen-Danmark

2005
CORPO SOTTILE >>
A piece dedicated to Bridget Riley

2004

www.between-the-streams.org

2000
ALIBI D'ALI
Di e con Laura Colombo e Luca Ruzza
Cerrate Italia



1999
3-EYES >>
Interactive digital installation
Experimentarium di Aarhus- Danmark
All'interno del progetto Digital Theatre dell'Univerità di Aarhus- Dramaturgy Department
www.daimi.au.dk/~sdela/dte/



1993
CHI E' GABRIELE? >>
di Laura Colombo & Luca Ruzza
Production: Volterra Festival
With: Laura Colombo